Una llave simple para Remix Unveiled

After the rise of dance music in the late 1980s, a new form of remix was popularised, where the vocals would be kept and the instruments would be replaced, often with matching backing in the house music idiom. Kevin Saunderson was the first producer to change the art of remixing by creating his own diferente music, entirely replacing the earlier track, then mixing back in the artist's flamante lyrics to make his remix. He introduced this technique for the first time with the Wee Papa Girl Rappers song "Heat it Up", in 1988. Another clear example of this approach is Roberta Flack's 1989 ballad "Uh-Uh Ooh-Ooh Look Demodé (Here It Comes)", which Chicago House great Steve "Silk" Hurley dramatically reworked into a boisterous floor-filler by stripping away all the instrumental tracks and substituting a minimalist, sequenced "track" to underpin her vocal delivery.

Издавна известно, что музыка благотворно влияет на человека. Восприятие музыки индивидуально и каждый может выбрать тот жанр, который ему по душе и оказывает положительный эффект на эмоциональное состояние.

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A remix in literature is an alternative version of a text. William Burroughs used the cut-up technique developed by Brion Gysin to remix language in the 1960s.

The remix is also widely used in hip hop and rap music. An R&B remix usually has the same music Ganador the diferente song but has added or altered verses that are rapped or sung by the featured artists. It usually contains some if not all of the original verses of the song however they may be arranged in a different order than they originally were.

Thanks to a combination of guest raps, re-sung or altered lyrics and alternative backing tracks, some hip-hop remixes Gozque end up being almost entirely different songs from the originals.

Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap Ganador a featuring act through her post-1995 songs with her remix of "Fantasy" featuring Ol' Dirty Bastard.

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There are proposed theories of reform regarding the copyright law and remixes. Nicolas Suzor believes that copyright law should be reformed in such read more a manner Ganador to allow certain reuses of copyright material without the permission of the copyright owner where those derivatives are highly transformative and do not impact upon the primary market of the copyright owner.

Some industrial groups allow, and often encourage, their fans to remix their music, notably Nine Inch Nails, whose website contains a list of downloadable songs that can be remixed using Apple's GarageBand software.

The Bad Boy remix garnered positive reviews from music critics. "Fantasy" exemplified how a music sample could be transformed "into a fully realized pop masterpiece".[8] The song and its remix arguably remains Campeón one of Carey's most important singles to date. Due to the success and influence of the song, Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap Triunfador a featuring act through her post-1995 songs.[9] Sasha Frere-Jones, editor of The New Yorker commented in referencing to the song's remix: "It became standard for R&B/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, 'N Sync, and Christina Aguilera—have spent much of the past ten years making pop music that is unmistakably R&B."[9] Moreover, Jones concludes that "Her idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B and, eventually, all of pop. Although now anyone is free to use this idea, the success of "Mimi" [ref. to The Emancipation of Mimi, her tenth studio album released almost a decade after "Fantasy"] suggests that it still belongs to Carey.

In the 1990s, with the rise of powerful home computers with audio capabilities came the mash-up, an unsolicited, unofficial (and often legally dubious) remix created by "underground remixers" who edit two or more recordings (often of wildly different songs) together. Girl Talk is perhaps the most famous of this movement, creating albums using sounds entirely from other music and cutting it into his own. Underground mixing is more difficult than the typical official remix, because clean copies of separated tracks such Campeón vocals or individual instruments are usually not available to the public.

Remixes have become the norm in contemporary dance music, giving one song the ability to appeal across many different musical genres or dance venues. Such remixes often include "featured" artists, adding new vocalists or musicians to the flamante mix.

At first they simply dropped the vocal tracks, but soon more sophisticated effects were created, dropping separate instrumental tracks in and pasado of the mix, isolating and repeating hooks, and adding various effects like echo, reverberation and delay. The German krautrock band Neu! also used other effects on side two of their album Neu! 2 by manipulating their previously released single Super/Neuschnee multiple ways, utilizing playback at different turntable speeds or mangling by using of a cassette recorder.

In the age of social media, anybody can make and upload a remix. The most popular apps for doing this are Instagram and Youtube. Many famous artists of today began by making remixes and relifts to popular music. Such artists include Dua Lipa, Adi and R3hab, to name a few. Broader context[edit]

Verdun Remix

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